Westchester Junior Strings Orchestra
Arrival Time: Arrival, check-in and setup: 4:30 pm - 4:50 pm, Please head for Entrance Door A: Gymnasium, Rehearsal Time: 4:50 PM - 6:30 PM
What to bring to In-person rehearsals: chair with protected feet, folding music stand, music folder (supplied) containing ALL the music, sharpened pencil, cellos and bassists - rubber tips installed on both their end pin and rock stop.
All musicians must come to rehearsal wearing a mask that will be worn throughout rehearsal.
All musicians other than bassists should also have a mute – I recommend the rubber “Tourte” type. Be sure you don't get a "practice mute;" that's for a different purpose. Links for purchasing mute at right.
Full tuition for the 2020-2021 Junior Strings season is $555. Families with multiple children in the GWYOA are entitled to a 10% tuition reduction off of each child's tuition (Sibling Discount). Please list musician's first and last name in Description box: Make Tuition Payment
Refund policy for In-person/remote hybrid musicians: 100% refund before the 1st rehearsal*; 75% refund after 1st rehearsal*; 50% after 2nd rehearsal*; 25% after 3rd rehearsal*; no refund after 4th rehearsal. In the event of a mandated complete shutdown of our season due to Covid-19, a pro-rated refund will be offered*.
Refund policy for Remote only musicians: 100% refund before the 3rd rehearsal*; 75% refund after 4th rehearsal*; 50% after 5th rehearsal*; 25% after 6th rehearsal*; no refund after 7th rehearsal. In the event of a mandated complete shutdown of our season due to Covid-19, a pro-rated refund will be offered*. - * minus $50 processing fee
Dear Junior Strings musicians,
I think we're getting accustomed to the sound at St. Gregory, at last!
Here's the assignment for next Monday's rehearsal:
Preludio: prepare up to #247. Keep the staccato notes real short. Watch intonation from 207-204.
Libertango: we will work on meas. 34 (with pick-ups) to end.
Kalinnikov: please work up to letter D.
Mendelssohn: we worked up to the recap at #230. Watch the articulation of the quarter notes (with speed & slight separation), and the eighths, as in measure 88. I'd like to take it at quarter note=134 next week - at the Allegro, of course. Let's keep it light and spirited.
Next Monday I will have another 1st violin sectional from 6:30-6:45. (Violas, you'll be next...)
If you'd like me to send you the Zoom link to the recording or the Youtube video that Grace Baccay kindly made of our rehearsal, let me know. firstname.lastname@example.org
Thanks for a fine rehearsal last night. I made a Zoom recording, so if any of you would like me to send it to you, let me know.
Important: I will be having some short sectionals after our rehearsals beginning next week. First violins, please plan to stay until 6:45 for some 1st violin-centric time - mostly on Mendelssohn. The week after, I will do the same with the B cohort first violins. Other sections, I will let you know about your future sectional time.
Here are some practice notes to guide you this week:
Preludio: practice up to #183. Carefully observe all the articulations - staccatos, sfz's, etc. and all dynamics. Try it at quarter note=112 (beginning from measure 9). Remember that at passages like #64 we need different articulation: fast, light bow, slightly over the fingerboard. (But don't let it slow down here).
Libertango: Concentrate on #34 to the end; be sure accents are played accurately - they really make this piece. Cellos, remember you are tacet (meaning, don't play) until the 1st ending (meas. 16); then really juice it up!
Mendelssohn Sinfonia: have this in hand through measure 202. Be able to play at quarter note=112 with solid rhythm and intonation. Separate the bows in both the quarter notes and eighth notes.
Here are some video links for your pleasure:
Mendelssohn - Sinfonia X in Bminor - YouTube - Opus One Chamber Orchestra University of Massachusetts - Amherst Department of Music and Dance
21-May-2019 Preludio by Paul Whear - Emmett Drake, Music Director. William H. Hall High School Concert Orchestra. West Hartford, CT.
Libertango by Astor Piazzolla/arr. James Kazik - YouTube - To purchase print edition or for more info: http://goo.gl/PtQTUR To purchase, download and print instantly: http://bit.ly/3awT7zH Pop Specials for Strings
Happy Halloween! - Ms. Stern
We worked on three current pieces, and here are the portions I'd like you to work on for next rehearsal:
Libertango - through measure 34
Preludio - through measure 162
Mendelssohn - through measure 88
The Mendelssohn is by far our most challenging piece right now. Here's a video to help and inspire you:
Thank you, as always, for your good will and musicality!
Junior Strings Contact Information:
Conductor: Jacqueline Stern: email@example.com
Junior Strings Links:
2020-2021 Junior Strings Music (T/C)
You must complete and submit this waiver before your first in-person rehearsal.
Virtual Rehearsal Notes
Hello Junior Strings musicians,
I want to give you some guidance on participating in our remote rehearsals.
Plan to be in the meeting by 5:00 pm. If you know you will be late, let me know beforehand so I can make certain that someone will be there to admit you.
Be pre-tuned to A=440. Please mute yourself when coming in and remain muted during the rehearsal. I recommend that you listen with earbuds or headphones - it makes it easier to hear the orchestra while you’re playing along, and also improves the quality of the sound.
I will be taking attendance, and please leave your video on if at all possible. However, knowing that you may be experiencing “Zoom fatigue,” you should feel free to take any breaks that you need. I would suggest that sometimes you might want to silence the audio and use some of the time to practice a spot of the music. I invite you to be creative while you’re in the rehearsal - play with us when we’re all playing together or when I am rehearsing with your instrumental section; work on a spot (or go get a cookie) when I’m working with a different section. I will be giving a verbal outline of the rehearsal right as we start to help you work independently if you need to.
I also would welcome your thoughts and ideas about what works and what doesn’t. Let’s collaborate to make this less-than-perfect medium as effective and enjoyable as possible!